As I’ve
mentioned before, I have been getting some feedback on my writing from friends
and my mentor, who is the brilliant Maggie Sullivan. I promised
to share with you some writing, and I am going to do that now - some before and
after stuff – so you can see where and how changes have been made and maybe give me your thoughts on them?
As you will
know from previous posts, I am completely new to poetry – even reading it, so
it is no surprise at all that a large part of my feedback has been about
structure. In writing and rewriting, I am
ok with words, subjects, trying to pin down whatever it is I have decided to
try and say. When it comes to how it’s
flows – where you punctuate, why you start a new paragraph, how many lines to
use – I have no idea. Along with not
having enough experience of reading it, I don’t think it’s something I am good
at intuiting. So I need to work on that.
Another
piece of useful feedback from Maggie was about not over-explaining things. I think that’s good advice in general. It was interesting as I’d just got back from
Birdman and been reminded of the brilliance of Raymond Carver and in my inbox
was an e-mail referring to his writing style – ‘get in, get out, don’t linger’. That’s definitely something to work on.
This first poem will be familiar to my postal correspondents. It’s the very first thing I wrote for the
class and seemed to get a lot of positive response. It was based on a story that I was by a
friend steadfastly ignoring some attention seeking behaviour from a colleague –
I’ve since spoke to who I thought told me that and it turns out they didn’t. Most odd.
Anyway, I am going to post my version and then the edited version.
If they ask
If they ask,
I’ll tell them it was my mothers
“She died
recently, I like having her things around me”
Or maybe
I’ll say ‘its nobody else’s business” and run
And they’ll
follow and I can show them where it hurts
If they ask,
I’ll say “wouldn’t you like to know?”
And I’ll
wink, and we’ll laugh and go to lunch
Or maybe
I’ll tell them about my brother
On remand
now and the charges are mounting
All I’ve got
left and I don’t want him
I sit and I
wait, ready at last
But nothing
has changed
Nobody asks
If they ask
I'll tell
them it was my mothers
"She
died recently, I like having her things around me"
Or,
maybe "it's nobody else's business" and run
They'll
follow and I can show them where it hurts.
If they ask,
say "wouldn't you like to know?"
and wink,
We'll laugh and go to lunch.
Or maybe
I'll tell them about my brother
on remand
now, charges mounting
All I've got
left and I don't want him.
I sit, wait,
ready at last.
Nobody asks.
The
things I like about the editing of this one: it’s much more efficient (the removal of the I’lls and conjunction, plus there’s no longer the repetition at the beginning) and I think the space
works – the ‘nothing has changed’ being implied. The gap feels more like a beat, or a breath.
There are
suggested edits to others, too, but I am conscious that this has become quite a
long post already. What do you think? Which one do you prefer (if any)?
I’ll write another
post about the other poem I’ve sent out to people – the night journey. It was a bit of a mess, but I really liked
some bits of it. The suggested changes
to that one are more drastic, which is necessary, though I am still mulling
them over! I start a new class tonight, so hopefully that will give me some more inspiration!
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